Tagged conceptual photographer singapore

I SHOOT HABITS – ZINKIE AW

Quick Links: 

Launch and Exhibition from 06 Aug 2015 to Sep 2017 featuring ‘I’VE COT YOU (Sayang, Sarong Baby):
www.ivecotyou.com

Event Launch on 06th Aug: http://goo.gl/CHtacv

Exhibition Info from 6th Aug to 30 Sep: https://goo.gl/M58Z2N

Social Media channels: www.fb.com/ishoothabits; www.instagram.com/ivecotyou

Past:

Travelling Exhibition from 13 Aug 2015 to May 2016 featuring ‘Singaporelang’:

www.singaporelang.rocks

Group Show at Fort Canning Park featuring ‘TANLINES’:
www.tanlinestories.ishoothabits.com 

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 Singaporean photographer Zinkie Aw and her quirky spins on Society’s habits. 

Welcome to her site, all Creatures of Habits.

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Click to enter

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Once Upon a Gangnam Style

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Gangnam Style’ – is the world showing any signs of overdose yet? Apparently not.

Welcome to my confession regarding an overdose of Gangnam.
Many people, many countries, but one Gangnam Style.


Project Backdrop:

I travelled from Singapore to Cambodia in December 2012. Took strolls down the streets, and I couldn’t help but experience how the overwhelming and famous Gangnam Style has manifested in Phnom Penh, Siem Reap, and Battambang. Towards this phenomenon, I felt amused, amazed, as well as slightly disturbed.

Through my 2-week trip, there were overt instances of this pop culture icon, or trend in the night markets. T-shirts and paraphernalia with Psy’s illustration were sold; along rivers, groups of teens dance to the song… even for celebrations on stage, my ears and eyes were not spared.

It then struck me that the ‘Gangnam Style’ has become an icon of this big globalisation era. In a context where the world is seemingly held together by the Internet, tastes and preferences, ideas and styles seem to be an amalgation or adoptions of each other. Various parts of the world follow to import global trends – in this case, the ‘Psy’-nomenon. Of course, many would argue it as just commercialisation.

Other than wanting to exemplify and time-stamp this phenomenon that occured in 2012, the Gangnam Style syndrome became something more compelling to photograph, after I started chatting with some locals there.

While travelling in Cambodia, I found this particular Gangnam Style worked as a ‘Culture Cushion’ for the mild ‘Culture Shock’ I experienced as a tourist.

Forget the language barrier already. Paired with a simple inflexion, the use of three simple words ‘You Gangnam Style?’ seemed to be conversation-openers, and very effective buzzwords.

If the world were one unified Psy-chotic tribe in 2012, this would be the universal ‘Hello’.

So I decided the photographing process would be a social experiment of sorts. At times, I could be asking for directions… or maybe I was going to bargain for something… and maybe someone tried to tout something… It was true: the ‘Tourist vs. Locals’ barrier backed down by half once I digressed to ask if they knew ‘The Gangnam Style’.

I didn’t know the Cambodian language; neither did the locals they know much English, but we understood each other at ‘Gangnam’.  This magical chant brought me closer to the locals.

As remembrance, I wanted to via photographs, preserve this brevity of friendship (matchmade by Gangnam-ania).I prompted the friendly locals to pose me a scene of what they remember of ‘Gangnam Style’, and I would photograph them.

They could be alone, or in their various social groups — the Cambodians obliged with glee. From the city to the village, you would find that their moves are perfectly, so signature-Psy.

And sometimes I stepped into the scene to be with them:

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Zinkie-Gungho-Style? (Gungho is a term in American English used to mean “enthusiastic” or “dedicated”)

That lead me to ponder: But if it was the same ‘culture’ – the same music video, the similar MTV channels that we watch… why should I expect less that these Cambodians would know this Psy-nomenon too?

What each of us understood to be the intent of Psy’s music video could be ‘same same but different’; the buzz and hype is cross-cultural. But in all likelihood, none of us never really understand the true intent behind The Subversive Message Within South Korea’s Music Video Sensation, except Psy the man himself. Cambodian or Singaporean, no matter how we identify with the rhythm and dance steps, these might all just be the tip of the iceberg; or most of us just could actually be totally missing the point of the video.

Eventually this ‘imported (Gangnam) symbol’ just gets subsumed accordingly in various cultures. The Gangnam takes on its own meaning for Cambodians, Singaporeans, Americans etc...

Lastly, these photographs also remind me about how K-Pop and its culture seems set to reign. Will we then have a standardised, global formula for ‘trendy’, but a local culture that is ‘diluted’?

And so you thought year 2012 have had enough of Gangnam Style.  But no, it’s a changing world, it’s one big Psy-ched up world. Thank you and we can look forward to more unification of Gangnam in 2013.

Happy (Gungho) 2013! (This project was released 01 Jan 2013.)

Zinkie Aw, 2012 (Singapore)

Keywords: Gangnam Style, Psy, Culture, Trend Impact, 2012, Cambodia, Local vs. Foreign; Globalisation; Iconisation; Culture Cushion, Culture Shock, Language Barrier, Gangnam Parody

This is a fun project and accidental experiement by Zinkie Aw. For more information, view original microsite of Once Upon A Gangnam Style here. Thanks!

 

National Pastime: Meet the Candi-Dates

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Candy Crush Saga, the game, feels like a big National Pastime to me: 

Everywhere I go, I see people with those candy screens, or hear the game tunes.

I wanted to capture these snippets, talk to these people from all ages, understand their craze with the crushing, and also show bits and pieces of my country, Singapore.

With that, App-y New Year to Strangers, Friends and Family!

Zinkie Aw, Jan 2014 (Singapore)

Keywords: Candy Crush, Candy Crush Saga, National Pastime Singapore, Unofficial National Pasttime, Pastime, Game Nation, Trends in Singapore, Candy Crush Trend, Trending 2013, Hype, Social Trend, Singapore Lifestyle, Mobile Games, Game Society


Project Description:

What’s striking in colour, ubiquitously adored, viscerally sweet, and does not promote tooth decay?

Well, given that candies are not everyone’s favourite, phenomenal mobile puzzle game Candy Crush Saga certainly has it better. What’s more, it’s suitable for all ages from 2 to… as-old-as-you-are-game-to-play!

So why and how has crushing (on) candies become our new National Pastime in Singapore, and globally?

Let’s chew on it: As published on guardian.com in November 2013, “…Candy Crush Saga remains a mobile gaming phenomenon: the top grossing app worldwide on both Apple’s App Store and Android’s Google Play…” Indeed, in the same month, Candy Crush Saga turned one on mobile formats. A birthday present its fans gave to the game? Statistics of half a billion downloads across all formats, and 150 billion games played since launch. Touted in its description on the world’s favourite social network site, this game is “the sweetest facebook game ever.”.

So for the longest time this year, my opening statement at social functions or usual walk along the streets would be “Good afternoon, do you play Candy Crush?” Best pick-up line, eh? In response, those who do play would grin and reply along the lines of, ‘Why miss, you need lives to level-up?”

Every year, I try to tick off the year with a trend that impacted upon my society. Much as ‘selfie’ has been named 2013’s word of the year by Oxford Dictionaries, this addictive game to me has brought a far more resonance in Singapore, and the world around me. As a tourist elsewhere in the world, I have also met so many fellow travellers who would be playing the game at their breakfast table, or on their commute.

It is almost as if adults, both men and women alike have been granted public license to re-embrace those excessively colorful and ‘kiddy’ candies that have since been forsaken from childhood memories.

Termed by some players as an ‘annoyingly addictive’ game, this mobile game is live example of a cultural phenomenon that adds weight to discussions on Instant Gratification (sans the gain of calories and sugar levels associated with candies!) and Social interaction on Virtual Reality that transcends time and locale, akin to long-established Massively multiplayer online role-playing games (MMORPG).

What’s another perk like what a candy gives as well?

Interestingly, periodical encouragement words like ‘Sweet’, ‘Delicious’ and ‘Tasty’ work in tandem with motivation (praise) theories. Who doesn’t like that dose of (sugar-high) praise, especially when you’re heading to work on a dreary Monday, enslaved in the office, or packed like sardines on the evening commute towards home? These bursts of encouragment, aka. sweet talk, essentially a form of gamification, is also the reason why consumers return for more.

The appeal of Candy Crush Saga has also been related to argumentum ad populum theories. It’s definitely fun because you get the feeling that whole nation is playing along with you, on the buses, trains, and in the long queues… The sense of community and a member being aware of who is at what level, based on its facebook app (a useful way for me to figure who can help me in this photo project, by the way…) makes it highly ‘sticky’ and likeable.

Through the quest of not looking for candies but for people who ‘candy crush’, I have been treated to many fun stories too:

> A cab driver tells me that his ‘night shift duty’ is to play Candy Crush on behalf of his wife, who has difficulty crossing on to her next level of play in the game.

> Another colleague tells me at a recent Christmas gathering party, a large percentage of his ex-schoolmates were in fact passing phones to the ‘Seniors’ in the Candy Crush level realm, so that they could advance.

> Then a quick third example, just to quote from a handful, is that there is the Mum-Smses-Me-For-Lives-While-I’m-At-Work Syndrome, pestering for a response of a social assistance call for lives for the game.

By the way, some toilet cubicles seem to be are hogged onto forever in the huge office building. I often wonder if ladies are holed up playing Candy Crush Saga inside, and that’s why they do not come out soon.

The beauty of this game also is that there is virtually no age gap: For instance in my reality, these virtual players like the nephew and the elderly neighbour are both be able to educate me on the various types of levels, moves, jellies, ingredients and special candies. The system architecture is marvellously simple and integrates simplicity adopted from match-three patterned games like the classic case of Bejeweled, and yet has variation as well as a storyline involving animation of Tiffi and Mr Toffee.

If ideas could be weighted, my take is that Candy Crush phenomenon is equally pertinent and widespread phenomenon as what Gangnam Style did to us in 2012, as depicted in my previous trend series: Once Upon A Gangnam Style. This game even makes an appearance in Psy’s music video “Gentleman” released this year.

Many have boasted to not have spent a penny on the game, but I guess going by the popular quote by Benjamin Franklin, time is money. I am intrigued by how much passion and time has been devoted to candies this year.

Indeed, I’m sure with the major expansion to the game launched just recently in December 2013, more will be spent on this National Pastime.

I’m glad though, that even though I do not play the game, Candy Crush has given me the chance to reconnect with old mates, as well as make new friends young and old due to the fact that I was looking for help in my project.

Happy First Anniversary, Candy Crush Saga, and may you bring more (tricks or) treats to this human race.

With that, App-y New 2014, everyone!

P/S: No ‘lives’ were lost in photographing these subjects.
Featured here or not, thank you to all who modelled for me! 🙂


This series has been featured on:

Yahoo News
Coconuts Singapore
Vulcan Post
The Absolut Magazine


For more information, view original microsite of Meet the Candi-Dates here. Thanks!

 

 

Home Store-ies (Singapore Storerooms)

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Project Description:

The room that we like to keep out of sight. The Singapore Storerooms.

Storerooms are never in the limelight. They tend to be unseen and hidden spaces within homes, locked or behind closed doors. Yet, storerooms intrigue me. As the famous slogan of the 7-Eleven convenience store goes — ‘It’s a Store and More’ — I thought the same goes for the storerooms in urban homes.

Some storerooms shed light on a global issue like city-living — partly a microcosm of what it means to live in one of the world’s top 5 most densely-populated countries, Singapore, where land is scarce and majority of the population live in high-rise apartments.

On a national level, storerooms could be a metaphor for the predicament of a trend towards a consumption culture, a so-called ‘first-world problem’ that manifest in urban cultures: An appetite for a society to consume and hold on to more than it needs.

Lastly, through the articles and objects left in the storerooms, we get a glimpse of the inhabitant(s) of a particular home, who would utilise(s) excess storage space in various ways.

I often wonder why guests or even extended family members are often forbidden to see or enter storerooms in the Asian culture, for instance during the Chinese New Year. Why are storerooms associated with being a disgraceful sight?

Through an experimentation to ask strangers, friends and relatives to let me photograph the room that is often unspoken of in their homes, there were many curious questions as to why I chose to photograph a ‘taboo’ space.

It is hoped that through these slice-of-life photographs of ‘anonymous’ storerooms in Singapore homes, one can put in the limelight, inspect and and reconsider the meaning of this ‘alternate space’ that we take for granted in our urban homes.


On Findings: 

Storerooms manifest themselves in many skins — a formal ‘Storage Room’ as stipulated by Singapore’s Housing Development Board in high-rise flats; a ‘Household Shelter’ (aka. ‘Bomb Shelter’) required in new dwelling units built since 1998; an attic of a house, or simply a modified, ‘multi-purpose’ empty space somewhere within the parameters of a home.

Some owners shared stories on why certain articles were kept away in these spaces. Others re-discovered pre-loved objects from within the storerooms.

Finally, to de-mythify the conventional wisdom: Not all storerooms are synonymous with being ‘messy’ or unglamourous!


Zinkie Aw, 2014 (Singapore)
Thanks to all who opened up their homes to me, it wasn’t as bad as it seemed to show me the hidden room right!

Keywords: Storeroom, Store, Space, Urban Living, City-Living, Home Identity, Family Identity, Hidden Space, Order in Chaos, Asian Culture, It’s A Store and More, High-rise Living, Space Constraints, Hoarding, Hoard.


This series has been featured on:
Culturepush
Invisible Photographer Asia


 For more information, view original microsite of Home Store-ies here. Thanks! 

About Zinkie Aw

Singaporean Photographer Zinkie Aw and her flamboyant ‘thinking aloud’ on our habits, obsessions and tendencies and trends, making the familiar become unfamiliar via her slice-of-life photographs.
 
Putting specific trending habits into the limelight, we are invited to inspect and reconsider alternate meanings of what we confront, or experience, each day — be it via anonymous personalities and narratives, or life’s ‘first-world-problems’.
 
Take a look at her photo series from the menu bar above. 

For street and events work, visit this site.
 
For workshops and sharing, see here.
 
For previous conceptual works, take a peek here!
  
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Say hello at:
[email] zinkie@ishoothabits.com / zinkie.aw@gmail.com 
[facebook] Zinkie Aw

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[instagram] @zonkie

View her stuff on flickr too. 

 Instagram feed:
 

Have a great day!